Nov 13

Here is the stark reality of online video: nobody is making much money and the enthusiastic projections for online video advertising going from $500 million in 2008 to more than $5 billion in five years will undoubtedly be pared back in the coming weeks as analysts revisit their numbers. (Those numbers are from August—eMarketer).

The writing is already on the wall. YouTube is resorting to selling off video search results to the sexiest bidder and just today announced that it is extending overlay ads in YouTube Partner videos to embedded videos on other sites (previously these would only show up on YouTube itself). It is pulling out all the stops to try to get those revenues flowing. Meanwhile, smaller video startups such as Veoh and Revsion3 have already cut back on staff and shows in order to survive. So you can throw this slide out the window:

There is plenty of video inventory, just not a lot that advertisers want. Although YouTube streams more than 5 billion videos a month, estimates bandied about are that only 3 to 4 percent of those videos have ads. That is still a lot of videos, but it means that much smaller competitors such as Hulu that focus only on professionally-produced, advertiser-friendly videos are much closer in revenues to YouTube than the raw number of video streams would suggest.

But even the videos produced and distributed online by the TV networks are bringing in only a fraction of the advertising dollars that they do on regular TV. NBC CEO Jeff Zucker’s fear that the Web will turn “analog dollars” into “digital pennies is coming true. According to Dean Denhart, the CEO of BlackArrow (a company that provides an ad-management system for on-demand video across both cable and the Web), mainstream video fetches an average of about 50-cents per thousand viewers per hour watched on broadcast and cable TV, compared to 5 cents per thousand viewers per hour watched for the same video on the Web.

In other words, TV and media companies can make ten times as much by putting a video on TV than they can by putting it on the Web, even if that video attracts the same size audience. Online video startups can look at that as an opportunity to close that gap, but they should also realize that the Web is not the only game in town. In fact, cable companies are striking back by gradually shifting up their video-on-demand channels to a bigger mix of free, advertising-supported video. Cable’s answer to Youtube will be more video-on-demand channels with better videos that advertisers will line up to buy ads for at ten times the price they are willing to pay for ads on YouTube, or Hulu for that matter.

Here’s a slide Denhart likes to show that puts things into perspective. In 2008, he estimates that people in the U.S. watched 389 billion hours of plain old TV. That compares to 95 billion hours of on-demand TV, which he breaks up into live DVR (59 billion hours), time-shifted DVR (23 billion), cable and satellite video-on-demand (6 billion hours), online video (7 billion hours), and digital downloads (800 million hours). So of all 484 billion hours people will spend watching video in the U.S. this year, only 1.4 percent will be online video.

By 2010, Denhart thinks the overall viewer-controlled portion of the video pie will increase from 20 percent of all time spent watching videos to 32 percent. And both online video and video-on-demand will both grow to 2.7 percent of time watched, or about 14 billion hours each. Which segment do you think will be making more money from advertising in two years?

Last month, I co-moderated a Beet.TV roundtable on online video where we discussed some of these issues. It was clear that the budding online video industry is still trying to figure out the best way to proceed to profitability. Below are two clips from that event.

In the first clip, Brightcove exec Adam Berrey suggests that focusing too much on video advertising inventory per se (pre-rolls, post-rolls, etc.) is the wrong way to think about it. Instead media companies should think more holistically about selling their audience instead of their inventory. And video is just one way to do that. Also brands that use online videos to tell stories about their products may end up creating closer connections to consumers than simply sticking a 15-second commercial on a million videos produced by somebody else.

In the second clip, MSNBC.com president Charlie Tillinghast paints a dour picture of the exit scenarios for Web video startups. Web video startups hoping to get bought by a bigger media company will likely be disappointed by the price they can get. And it is no longer enough to simply have built up an audience that a startup then can then sell to a bigger media company. The only startups that will be bought are those with “demonstrable” revenues or those that have attracted desirable audience niches that the bigger companies lack.

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Source: Erick Schonfeld

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Nov 06

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Online video site Veoh is laying off 20 people, or 18% of its staff of 110. The move comes a month after Paidcontent reported layoffs in Veoh’s Russian office in St. Petersburg, which CEO Steve Mitgang says was a strategic decision rather than a financial one, as Veoh wanted to move its development staff to San Diego (where it has hired a replacement team).

This round is more of a financial move, given the new economic reality. The company insists that it is still strong on a financial front, and expects to be profitable next year, although CEO Mitgang admits profitability could be pushed out a quarter. Despite the somber news, he is confident Veoh will emerge as one of the few surviving video sites in what will no doubt be a coming shakeout.

According to comScore, visitors to the Veoh.com in the U.S. have come down from 4.5 million people in June to 3.8 million in September. And total minutes spent on the site has similarly dropped from 99.6 million minutes in June to 66.8 million in September. That drop in visitors is more than made up for in the growth in its standalone video app, Veoh TV, which reached 2.3 million people in the U.S in September. Globally, 16 million people watched videos on the site in September, and another 12 million watched via the app (see chart below).

The company has raised $70 million, including $30 million just last June. We are adding this announcement to our Layoff Tracker.

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Jan 17

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Now that I have your attention, Compete has released a list of the fastest-growing (and fastest-declining) sites of 2007. Some of the fastest growers include Veoh, LinkedIn, Reddit, StumbleUpon, Six Apart, and WordPress. Some of the notable sinkers are Bolt, Xanga, Netscape, and Autobytel.

TechCrunch has the distinct honor of taking the No. 5 spot in the fastest-growing list, right behind YouPorn and in front of DateHookup. I am not exactly sure what to make of that. I guess Compete thinks we’re hot.
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Source: Erick Schonfeld

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Jan 08

viacom.pngIn another move to strengthen the anti-YouTube coalition, Viacom is syndicating its videos (from Comedy Central, MTV Networks, Nickelodeon, and Atom Films, among other properties) to a whole new slew of video-sharing Websites. The new recipients of Viacom’s video love are Dailymotion, Veoh (which already has Hulu and CBS videos), imeem, GoFish, and MeeVee. They join AOL, Bebo, Joost, MSN, and Comcast’s Fancast in gaining access to Viacom’s video library.

Viacom obviously wants to strengthen the hand of other video Websites against Youtube by spreading its videos everywhere except on YouTube. Viacom has a $1 billion lawsuit against YouTube for copyright infringement and yanked its videos from the site last year. As Comedy Central’s own Jon Stewart said last night regarding his parent company’s lawsuit against YouTube, “A billion dollars? What are they four-year olds?”

I’ve embedded the clip below (which is mostly about the Hollywood writer’s strike) from The Daily Show’s Website. The comment is about four minutes in:

Loading information about DailyMotion…
Loading information about Veoh…
Loading information about Imeem…
Loading information about MeeVee…

cb_widget_report_widget(”cb_widget_1199887943″); cb_widget_report_element(”cb_widget_0_1199887943″,”dailymotion”); cb_widget_report_element(”cb_widget_1_1199887943″,”veoh”); cb_widget_report_element(”cb_widget_2_1199887943″,”imeem”); cb_widget_report_element(”cb_widget_3_1199887943″,”meevee”);
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Source: Erick Schonfeld

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Jan 03

veohnewlogo.jpgToday, video Website Veoh.com is adding more videos from traditional TV networks, including NBC (The A-Team, The Office, Heroes), Fox (The Simpsons, Family Guy, 24), the Sci-Fi Channel (Battlestar Galactica), the USA Network (Monk), and FX (Damages). All of this new content comes from Hulu, the NBC-Fox joint venture. CBS content was already on the site through a previous deal, but now all videos from traditional TV networks can be found under a new “TV Shows” tab on its main page today, which replaces the “Series” tab. (Video series can now be found in the “Channels” tab).

CEO Dmitry Shapiro tells me this is part of his strategy to turn Veoh into a “hyper-aggregator” of video on the Web, something he already does with his downloadable client, VeohTV, which can show (and download) Flash video from anywhere on the Web. Now he is embedding video players from other sites, such as Hulu, on Veoh.com proper. Says Shapiro:

That is the tip of the strategy—to become the hyper-aggregator. We will continue to provide a breadth of content. Embedding third-party players will be extended to other offerings, including other video-sharing sites.

He even plans on adding videos from rivals YouTube and MetaCafe because he thinks the way to survive is to become the one place where people can find videos from allover the Web. Shapiro also shared some internal stats with me.

—From November, 2006 to November, 2007 worldwide unique monthly visitors to Veoh.com grew 760 percent from 2.5 million to 21.5 million. (comScore measures 3.5 million in the U.S. and 13.4 million worldwide for November, 2007. Quantcast measures 6.7 million in the U.S., and 18.4 million worldwide).
—In November, 2007, Veoh served more than 30 million hours of videos.
—The average user watches 80 minutes per month, even with advertising.
—VeohTV has 2.5 million active viewers (also, as of November).
—Only 40 percent of Veoh’s audience is in the U.S.
—40 percent watch during early evening and during prime time (i.e., Veoh is stealing attention away from traditional TV).

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Veoh

Loading information about Veoh…

hulu

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cb_widget_report_widget(”cb_widget_1199416390″); cb_widget_report_element(”cb_widget_0_1199416390″,”veoh”); cb_widget_report_element(”cb_widget_1_1199416390″,”hulu”);
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Source: Erick Schonfeld

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Sep 05

After one too many “unreasonable threats”, video site Veoh preemptively sued Universal Music last month in federal court, seeking a declaratory injunction to bar Universal from taking legal action. Now it seems Universal has finally made good on some of those threats.

Universal is suing the startup for copyright infringement using some strong language in an L.A. court hearing today. Universal said, “Veoh follows in the ignominious footsteps of other recent mass infringers such as Napster”. Adding, “Veoh’s rampant infringement will not stop until Veoh, and those who own, control, and run it, are enjoined and held financially responsible”.

The suit joins a heap of lawsuits against MySpace, Grouper (Crackle), and Bolt.

Veoh is partly financed by Time Warner and Michael Eisner’s Tornante Co.
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Aug 20

Viacom and NBC aren’t content with suing YouTube and other video sites for copyright infringement - they are also trying to inject their opinions into other lawsuits that they are not otherwise involved in.

Last week Viacom and NBC petitioned to file a document known as an Amicus Brief in a little known case between Veoh and an online porn site called IO Group. Amicus briefs are a way for people or entities not involved in a given case to let the court know what they think - they are usually filed by those who have some interest in the outcome of a case because it affects their business in some way. Courts often welcome them because they amount to free research and can be used to help them come to a decision.

Does this mean Veoh can soon add Viacom and NBC to the growing list of companies they are fighting in court? Probably not. Veoh is fighting to keep the brief out of the court’s hands, but is also making it clear that they don’t want to end up with new litigation with Viacom and NBC. In fact, the two companies continue to negotiate on a distribution deal. Veoh CEO Steve Mitgang says:

This is a critical juncture for both service providers and content holders and, ultimately, users. We do not see Viacom’s brief as an indication of lack of interest to work with us; in fact, all of our conversations withthem and other studios have become increasingly positive. That said, we do think this move reflects the importance of our case to the studios and the industry.

The cases being litigated now are crucial in determining what level of freedom video sites have in letting their users upload and distribute content. Content owners are not happy with the protections provided under the DMCA - they want video sites to be far more proactive in stopping uploads in the first place. The outcome of these cases will guide how much freedom these video sites have to continue current practices, and ultimately determine the value of these companies down the road.
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Source: Michael Arrington

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Aug 09

Perhaps new Veoh CEO Steve Mitgang is the kind of guy you don’t want to try to intimidate. He just called me to say that Universal Music made one too many threats to sue his company. To protect themselves, they are suing Universal Music in federal court and seeking what is known as a declaratory injunction to bar Universal from taking legal action.

Given that the lawsuits tend to flow one way against the video startups, this is a major surprise.

In the press release, Veoh says they acted based on “unreasonable threats” from Universal and filed the lawsuit under the safe harbor provisions of the DMCA. In a phone call a few minutes ago, Mitgang told me that the two companies met recently, and that Universal made it clear that they would be suing Veoh for copyright infringement in the near future. These kinds of threats are not idle - Universal tends to follow up with actual lawsuits.

When a company feels that a lawsuit is imminent, they can strike first to head it off. Since Veoh feels it has protection under the DMCA for its business model, they are striking first.

Mitgang also mentioned to me that Universal Music has never sent them a DMCA take down notice of any kind. He says that they would have complied immediately.

Story in progress, check back for more.

Complaint is below:

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Source: Michael Arrington

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